We're celebrating Black History Month in Still Life this month, and today's entry focuses on Martin Puryear's sculpture "C.F.A.O." (2006)

http://tinyletter.com/still-life/ 
Puryear's sculpture references Ngil masks from the Fang people, turned it away from the viewer, and toward an intricate mess of scaffolding.

The sculpture *materializes* colonial history.
Not only were artworks like this stolen from African people, they also inspired a massive shift in modern art. Picasso, Modigliani, Matisse, Brancusi, and others were all inspired by African masks and sculpture.

There's no "Les Demoiselles d'Avignon" (1907) w/o this influence.
Some museums are collaborating with African communities on exhibitions: https://www.brooklynmuseum.org/exhibitions/one_egungun
...even as legacy museums are still dragging their feet, inflaming diplomatic tensions between nation states.
How do we respond to a unjust history? That's the animating question we're left with when we examine Puryear's sculpture.
You can follow @bymichaelwright.
Tip: mention @twtextapp on a Twitter thread with the keyword “unroll” to get a link to it.

Latest Threads Unrolled:

By continuing to use the site, you are consenting to the use of cookies as explained in our Cookie Policy to improve your experience.