We're celebrating Black History Month in Still Life this month, and today's entry focuses on Martin Puryear's sculpture "C.F.A.O." (2006)
http://tinyletter.com/still-life/
http://tinyletter.com/still-life/
Puryear's sculpture references Ngil masks from the Fang people, turned it away from the viewer, and toward an intricate mess of scaffolding.
The sculpture *materializes* colonial history.
The sculpture *materializes* colonial history.
Not only were artworks like this stolen from African people, they also inspired a massive shift in modern art. Picasso, Modigliani, Matisse, Brancusi, and others were all inspired by African masks and sculpture.
There's no "Les Demoiselles d'Avignon" (1907) w/o this influence.
There's no "Les Demoiselles d'Avignon" (1907) w/o this influence.
So what do we do about it? There's a growing movement for repatriation: https://the1a.org/segments/art-repatriation-museums/
Some museums are collaborating with African communities on exhibitions: https://www.brooklynmuseum.org/exhibitions/one_egungun
Some people are returning looted art... https://www.bbc.com/news/magazine-31605284
...even as legacy museums are still dragging their feet, inflaming diplomatic tensions between nation states.