Rights holders always think it's about the concept.

It's rarely about the concept. It's usually about the enactment.
With half the reboots that are done β€” if they just struck new masters of the original, put ad dollars behind it, and gave it good placement on a streaming service, it would out-perform the remake.
And yes, I know you can't make true HD from a sitcom shot on videotape in the 1980s.

But you can do a lot to make it look (and sound) better than soft, hissy analog masters that were used for syndication 30 years ago.

THE GOLDEN GIRLS is a great example.
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