Part of the reason there isn’t so much dinosaur media is that it is, at its core, a subgenre of creature features. It’s a relatively limited range of stories that can be told, and they can all pretty much be categorized as one of the following:
Lost World:

The basic idea being an isolated environment where some lineages survived mass extinction events. It’s usually an exploration-adventure story with science and discovery portrayed as awesome. Can actually happen in real life, though never as extreme as in fiction.
Dino Park:

Science brings extinct species back to life, often with “modifications” to justify inaccuracies. You seldom see this because any example gets called a Jurassic Park knockoff. The animals will pretty much always escape because the filmmakers have never been to a zoo.
Castaways:

Similar to Lost World, but the humans discover it by accident. Alternatively, they’re stranded in a time-travel mishap. The ecosystem is usually ridiculously hostile and the plot is about survival and escape, not the thrill of discovery.
Dinosaur Journey:

Basically, a bunch of prehistoric animals go from point A to point B. Humans are absent. If there are multiple species and they talk, it’s always a sociopolitical metaphor for kids. That’s the case in nearly every example.
The Documentary:

It’s a documentary. Prone to reusing clips over and over due to low budget. Only the best-funded ones will be able to avoid constantly interrupting the dinosaurs with talking heads segments.
Just Give Us Creative Control, Please:

This was clearly supposed to be a semi-realistic story without narration or voices. The executives decided that wouldn’t sell, so they forced it to be either The Documentary or Dinosaur Journey. It is a flop as a result.
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