Robert Altman used natural lighting in The Long Goodbye (1973) with Vilmos Zsigmond de-saturating the colors in the developing process of the Technicolor film. This created a sense of the present also existing in the past; a play on Altman's Rip Van Marlowe concept of a 50's PI
Robert Altman used natural lighting in The Long Goodbye (1973) with Vilmos Zsigmond de-saturating the colors in the developing process of the Technicolor film. This created a sense of the present also existing in the past; a play on Altman's Rip Van Marlowe concept of a 50's PI
Robert Altman used natural lighting in The Long Goodbye (1973) with Vilmos Zsigmond de-saturating the colors in the developing process of the Technicolor film. This created a sense of the present also existing in the past; a play on Altman's Rip Van Marlowe concept of a 50's PI
Robert Altman used natural lighting in The Long Goodbye (1973) with Vilmos Zsigmond de-saturating the colors in the developing process of the Technicolor film. This created a sense of the present also existing in the past; a play on Altman's Rip Van Marlowe concept of a 50's PI
Robert Altman used natural lighting in The Long Goodbye (1973) with Vilmos Zsigmond de-saturating the colors in the developing process of the Technicolor film. This created a sense of the present also existing in the past; a play on Altman's Rip Van Marlowe concept of a 50's PI
waking up in the 1970's. Altman also thematically put Marlowe "in the light" as if he is either being protected or even blinded by something. The grocery clerk points out that Marlowe has left on his lights and Wade asks if he's okay with sitting in the sunlight.
waking up in the 1970's. Altman also thematically put Marlowe "in the light" as if he is either being protected or even blinded by something. The grocery clerk points out that Marlowe has left on his lights and Wade asks if he's okay with sitting in the sunlight.
waking up in the 1970's. Altman also thematically put Marlowe "in the light" as if he is either being protected or even blinded by something. The grocery clerk points out that Marlowe has left on his lights and Wade asks if he's okay with sitting in the sunlight.
waking up in the 1970's. Altman also thematically put Marlowe "in the light" as if he is either being protected or even blinded by something. The grocery clerk points out that Marlowe has left on his lights and Wade asks if he's okay with sitting in the sunlight.
waking up in the 1970's. Altman also thematically put Marlowe "in the light" as if he is either being protected or even blinded by something. The grocery clerk points out that Marlowe has left on his lights and Wade asks if he's okay with sitting in the sunlight.
Eileen Wade is obscured in light; mirroring the hallway scene in prison. Marlowe gets the paper- feeding the narrative about his friend Terry Lennox. Here the light blinds and obfuscates reality in the same way that "flashing" the film in post production mutes the colors...
Eileen Wade is obscured in light; mirroring the hallway scene in prison. Marlowe gets the paper- feeding the narrative about his friend Terry Lennox. Here the light blinds and obfuscates reality in the same way that "flashing" the film in post production mutes the colors...
Eileen Wade is obscured in light; mirroring the hallway scene in prison. Marlowe gets the paper- feeding the narrative about his friend Terry Lennox. Here the light blinds and obfuscates reality in the same way that "flashing" the film in post production mutes the colors...
Eileen Wade is obscured in light; mirroring the hallway scene in prison. Marlowe gets the paper- feeding the narrative about his friend Terry Lennox. Here the light blinds and obfuscates reality in the same way that "flashing" the film in post production mutes the colors...
Eileen Wade is obscured in light; mirroring the hallway scene in prison. Marlowe gets the paper- feeding the narrative about his friend Terry Lennox. Here the light blinds and obfuscates reality in the same way that "flashing" the film in post production mutes the colors...
You can follow @coenesqued.
Tip: mention @twtextapp on a Twitter thread with the keyword “unroll” to get a link to it.

Latest Threads Unrolled:
Those who think consciousness raising & movement building are disconnected, or even a distraction from electoral politics have not paid attention to the history of social change.In this thread, we
Read more
The 2020s will be known as the Remote Work decadeA few predictions of what is likely to emerge[ a thread ] Third Space: Office and Working from Home will
Read more
1/29: Have you ever had a concept explained to you that helps frame complex issues you’ve been wrestling with and opens your eyes to new possibilities? A concept that I
Read more
By continuing to use the site, you are consenting to the use of cookies as explained in our Cookie Policy to improve your experience.