Under Osborn, giant murals, life-size dioramas & other displays visually reinforced his white supremacist beliefs that Black & Indigenous people were inferior to whites.
Osborn also wrote a glowing introduction to @AMNH trustee Madison Grant’s racist tract – “The Passing of the Great Race – described as Hitler’s “bible” at the Nuremberg trials - & he was an admirer of Nazi Germany’s programs of forced sterilization. http://nuremberg.law.harvard.edu/documents/2703-extract-from-a-book?q=passing+of+the+great+race#p.1
Fun fact: Both Osborn & Grant had caribou named after them – dioramas of which are still on display in the museum. Photo of Osborn's caribou: Dom Dada diorama
Today @AMNH is an iconic educational & scientific institution doing important work, but many of its public displays are rooted in the past. Most of the culture halls at @AMNH are decades old & seem frozen in a colonial past.
Monique Scott writes of @AMNH“Egyptian pyramids are elevated to the MET [ @metmuseum] across Central Park to share space with other great civilizations; but sub-Saharan African people are confined to the “Heart of Darkness” jungles & plains, alongside the great African animals…"
Anthropologists Emily Martin & Susan Harding wrote of @AMNH “the institution continues to work within an ahistorical salvage paradigm of so-called disappearing primitive cultures that both obscures its colonial history & re-inscribes it for five million visitors each year.
For many museums the question of repatriation on human remains, art and artefacts is an increasingly urgent issue. Some collections were obtained under unethical circumstances including buying & stealing human remains. https://icom.museum/en/news/international-repatriation-of-human-remains-of-indigenous-peoples/ @ICOMofficiel
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