A fun thing about genre cinema is the prevalence of diverse Post-Racial criminal gangs. Something we just donât see very often in media today where theyâre almost always racially coded. But the gangs in say THE WARRIORS; ASSAULT ON PRECINCT 13; and even ROBOCOP were not
A villainous criminal gang in a 70s to 90s movie would be as diverse as the cast of THE MAGIC SCHOOL BUS; today when you do a vicious criminal gang theyâre always âjust black peopleâ or âjust Latino peopleâ etc.
You canât tell me that progress doesnât backslide from time to time because it WAS the norm for the concept that evil and crime had every kind of face. These days it feels like an effort must be made to move away from non-white cis het male faces as the go to for these archetypes
Hans Grueber from DIE HARD had a more inclusive organization than the corporation he was robbing (tho was lacking in the hiring of women compared to Mr Takagi)
Itâs a small thing but it really isnât bc you think about what youâre subconsciously communicating to the audience. When your villainous gang defies easy categorization beyond âtheyâre all just evilâ the audience sees and feels just that. When coded as one type...well you know

Anyway I miss this guy in movies lol. The sign that you were part of a diverse & inclusive criminal villain organization in an 80s and 90s picture was if Al Leong was on your side