A quick word for emerging screenwriters...
And yes, you might roll your eyes at this piece of hyperbolic encouragement but:
Many of you are closer to hitting the upper echelon of writers than you think. Literally thousands of you have the capability. Howeverâ
#pipelinewriters
And yes, you might roll your eyes at this piece of hyperbolic encouragement but:
Many of you are closer to hitting the upper echelon of writers than you think. Literally thousands of you have the capability. Howeverâ
#pipelinewriters
Iâve been seeing the same red flags for years and years now and I thought they would sort of phase out and...they havenât.
So a few takeaways, imvho:
Focus on your writing style. Anyone who says writing style doesnât matter âbecause itâs just a scriptâ is incorrect. Period. /
So a few takeaways, imvho:
Focus on your writing style. Anyone who says writing style doesnât matter âbecause itâs just a scriptâ is incorrect. Period. /
Read scripts from contest winners, writers whoâre repped, who just sold a spec... Not only pros. Pros will tell you they did this and that and âit worked for me Iâve won Emmys!â
Theyâre not wrongâthereâs no one, set way to write a script. But youâre not at their level yet. /
Theyâre not wrongâthereâs no one, set way to write a script. But youâre not at their level yet. /
âWell whatâs the best style to adopt?â
Thatâs a whole other thing. There are variations, but I wish someone could sit down w/every new writer and do a deep Page One study. Theyâd learn so much. Not only ideas for style but how to write a good opener.
Anyhow...next points:
/
Thatâs a whole other thing. There are variations, but I wish someone could sit down w/every new writer and do a deep Page One study. Theyâd learn so much. Not only ideas for style but how to write a good opener.
Anyhow...next points:
/
- Come up with og concepts that feel cinematic and fresh.
- Watch *current* movies/series.
- Know the marketânot whatâs been produced but what HASNâT been. This oneâs dicey I know, and thatâs where you can fall off the rails. But what do we *need* to see? Whereâs the gap?
- Watch *current* movies/series.
- Know the marketânot whatâs been produced but what HASNâT been. This oneâs dicey I know, and thatâs where you can fall off the rails. But what do we *need* to see? Whereâs the gap?
- Your plot has to be compelling. Most every script should revolve around a unique pitch OR put a spin on an old story.
Can you get away with a so-so idea if the execution is lights out? Absolutely. Would I recommend relying on that? No. Aim high. Cool idea + great execution.
Can you get away with a so-so idea if the execution is lights out? Absolutely. Would I recommend relying on that? No. Aim high. Cool idea + great execution.
Lastly, and many of you do this already: leave your bubble. Your 3 or 4 trusted readers? Fine. 1st step. Then get notes from a writer with more exp. Or a service. Or 10 other readers who wonât sugarcoat. You canât implement all the notes you get, but get them anyway. Itâll help.
And I canât believe some of you havenât seen @LastBlackManSF.
Yes this tangential to this thread, but youâre already here and Iâve been
about this damn incredible movie for months now so...
Yes this tangential to this thread, but youâre already here and Iâve been
