"Star Wars: The Force Awakens", international trailer (2015), visual effects by ILM. Full ILM credits: https://www.ilm.com/vfx/star-wars-the-force-awakens-credits/
VFX supervisors Roger Guyett and Pat Tubach, painting by Tim Mueller, lighting by Tom Fejes, compositing by Todd Vaziri.
VFX supervisors Roger Guyett and Pat Tubach, painting by Tim Mueller, lighting by Tom Fejes, compositing by Todd Vaziri.
"Star Wars: The Force Awakens", film release (2015), visual effects by ILM. Full ILM credits: https://www.ilm.com/vfx/star-wars-the-force-awakens-credits/
VFX supervisors Roger Guyett and Pat Tubach, painting by Tim Mueller, lighting by Tom Fejes, compositing by Todd Vaziri.
VFX supervisors Roger Guyett and Pat Tubach, painting by Tim Mueller, lighting by Tom Fejes, compositing by Todd Vaziri.
photography by @TrevorMahlmann
source video and still frames here: https://twitter.com/TrevorMahlmann/status/1313512177396051969
I've used this 100% in-camera, real shot from "Lethal Weapon" (1987) as reference for years and years for things like heat haze and long lens artifacts, and it was a key inspiration for how I wanted the TIE shot against the sun in "The Force Awakens" to look.
This other shot from "Lethal Weapon" is another go-to for me when I'm trying to illustrate what long lens photography can look like.