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Monica Beletsky
MonicaBeletsky
Basically there's two ways to be a star on a TV staff. Write outlines and scripts the showrunner barely has to rewrite. Pitch storylines, scenes, images, emotional payoffs, solve story
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I could be wrong about this. If I am, feel free to comment with examples to the contrary. It is very difficult for a reader to invest or care about
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Here's how I do a TV series pitch document (format):TITLETHE SERIES (what the show is, tone, why it's cool/relevant)LEADS (character descrips w actor reading it in mind)CREATOR'S NOTE (why I
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Question #WGA: What would be the pros & cons of showrunners with Zoom rooms allowing a class of writers to observe us breaking story to try to train emerging writers
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I didn't go to film school. One thing that's hard for me as a writer, is every time I write, i feel like I'm still figuring out my process. So
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